WAVE PHOTOGRAPHY PRINTS

I took this photograph on the south coast of Fuerteventura, using my water housing to capture a completely different perspective of a breaking wave.

Rather than taking a conventional wave photograph, I wanted to create something more abstract, something that conveyed the feeling of actually being inside the wave rather than looking at it from a distance.

What I particularly love about this image is the way the light sparkles across the water, creating beautiful soft circles of light against the deep blues. There is an almost otherworldly quality to it that I find fascinating.

For me, it's a photograph that captures the wonderful feeling of being immersed in the ocean, seeing something that would be impossible to experience in quite the same way from the shore.

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• 29 × 44 Inch, Edition of 30

• 40 × 60 Inch, Edition of 20

• 50 × 75 Inch, Edition of 15

• Giclée print on Hahnemühle Photo Rag Baryta (29 × 44 and 40 × 60 inches)

• Giclée print on Hahnemühle Photo Rag (50 × 75 inches)

• Print supplied without a white border

• Print supplied unframed

• Custom sizes available on request

I photographed Wild Coast II at La Pared in Fuerteventura, where the Atlantic can hit the rocky coastline with tremendous force. I was standing close to the edge when this enormous wave struck the rocks and exploded upwards in front of me.

The spray caught both me and my camera, but fortunately I had already got the shot. What really struck me was the sheer scale of the water as it rose above the rocks and briefly hid much of the coastline behind it.

I chose black and white because I wanted the shape, texture and force of the wave to stand out. This photograph still takes me straight back to that moment, with the Atlantic breaking almost on top of me and the spray coming straight towards me.

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• Printed edge to edge with no white border

LIMITED EDITIONS

• 29 × 44 Inch, Edition of 30
• 40 × 60 Inch, Edition of 20
• 50 × 75 Inch, Edition of 15

• Giclée print on Hahnemühle Photo Rag paper
• Print supplied unframed
• Custom sizes available on request

There is so much to see within this wave: streaks of white foam, light passing through the turquoise water and individual droplets above the crest. I made Cyan Window from the sea, using a water housing to protect my camera. That close view lets you see the detail in the water as the wave begins to break.

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• Printed edge-to-edge with no white border

LIMITED EDITIONS

• 30 × 50 Inch - Edition of 30

• 36 × 60 Inch - Edition of 20

• 42 × 70 Inch - Edition of 15

· 30 × 50 and 36 × 60 inches: Hahnemühle Photo Rag Baryta fine art paper

· 42 × 70 inches: Fuji C-type Matt photographic paper

· Prints do not come with frame

· Contact me for Custom Sizes

I photographed Incandescence from the water with my camera protected inside a water housing. What caught my eye was the golden evening light falling across the face of the wave and mixing with the turquoise and deeper blue of the sea.

I used a slower shutter speed because I wanted to keep some of the movement in the water rather than freeze everything completely. As the wave broke, the light and colour seemed to flow through it, and I waited for the moment when they came together.

What I particularly like about this photograph is how different the water looks for those few seconds before the wave disappears. The gold, turquoise and blue are all there together, with the evening light completely changing the character of the sea.

Incandescence was also recognised in the 2025 International Color Awards, which was particularly pleasing for an image where colour and light are such an important part of the photograph.

BUY WITH CONFIDENCE

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• Purchased directly from Andrew Lever
• Signed & numbered Certificate of Authenticity included
• Produced to order by a specialist fine art print lab
• Printed edge to edge with no white border

LIMITED EDITIONS

• 29 × 44 Inch, Edition of 30
• 40 × 60 Inch, Edition of 20
• 50 × 75 Inch, Edition of 15

• 29 × 44 and 40 × 60 inches: Hahnemühle Photo Rag Baryta fine art paper
• 50 × 75 inches: Fuji C-type Matt photographic paper
• Print supplied unframed
• Custom sizes available on request

I photographed Wild Thing from the water, close to the approaching swell. A dark ridge of water was rising in front of me while the wind lifted the spray from the top and sunlight scattered across the surface.

What I liked was the contrast between the solid shape and power of the wave and the much softer spray above it. Being in the sea gave me a very different viewpoint and made the wave feel much more immediate.

I chose black and white because it strengthened the shape of the breaking water while keeping the fine detail and texture in the spray.

BUY WITH CONFIDENCE

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• Purchased directly from Andrew Lever
• Signed & numbered Certificate of Authenticity included
• Produced to order by a specialist fine art print lab
• Printed edge to edge with no white border

LIMITED EDITIONS

• 29 × 44 Inch, Edition of 30
• 40 × 60 Inch, Edition of 20
• 50 × 75 Inch, Edition of 15

• Giclée print on Hahnemühle Photo Rag paper
• Print supplied unframed
• Custom sizes available on request

From the cliffs at Nazaré, Portugal, I watched gulls gliding above the breaking waves as the wind carried spray across the sea. Their flight gives this photograph a sense of freedom for me, even with so much movement beneath them. The pale foam and blue-green water give Gliding the Rollers a softer palette than the conditions might suggest.

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LIMITED EDITIONS

• 40 × 40 Inch - Edition of 30

• 50 × 50 Inch - Edition of 20

• 60 × 60 Inch - Edition of 15

· 40 × 40 inches: Hahnemühle Photo Rag Baryta fine art paper

· 50 × 50 and 60 × 60 inches: Hahnemühle Photo Rag fine art paper

· Includes a 1-inch white border within the listed dimensions.

· Prints do not come with frame

· Contact me for Custom Sizes

I photographed Turquoise Thunder at North Beach in Nazaré, Portugal, where the Atlantic can produce some truly extraordinary waves. What drew me to this image was the wonderful turquoise colour running through the water at the very moment the wave began to break.

There is huge power in the sea here, with white water exploding across the frame, yet at the same time the colour brings a surprising softness and beauty to it. I liked that contrast straight away — the force of the breaking wave alongside those luminous turquoise tones.

This is an image that works especially well at large scale, where the texture, movement and detail in the water really come alive.

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LIMITED EDITIONS

• 20 × 40 Inch - Edition of 30
• 25 × 50 Inch - Edition of 20
• 30 × 60 Inch - Edition of 15
• 37 × 75 Inch - Edition of 15

• Giclee print on Hahnemühle Photo Rag Baryta paper
• Prints do not come with frame
• Contact me for Custom Sizes

I made Green Crescendo in the Canary Islands. What first caught my attention was the band of clear green water running alongside the breaking white surf. The colour seemed particularly vivid against the much softer grey sky.

I liked the simplicity of the scene and the way the different parts of the wave separated into bands of green, white and darker water. For me, it was the colour that made the photograph, particularly that brief moment before the wave lost its shape completely.

I am always watching for these changes in the sea. Light, weather and the movement of the water can transform the colour from one moment to the next, and this was one of those occasions when everything came together.

BUY WITH CONFIDENCE

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• Purchased directly from Andrew Lever
• Signed & numbered Certificate of Authenticity included
• Produced to order by a specialist fine art print lab
• Printed edge to edge with no white border

LIMITED EDITIONS

• 29 × 44 Inch, Edition of 30
• 40 × 60 Inch, Edition of 20
• 50 × 75 Inch, Edition of 15

• 29 × 44 and 40 × 60 inches: Hahnemühle Photo Rag Baryta fine art paper
• 50 × 75 inches: Fuji C-type Matt photographic paper
• Print supplied unframed
• Custom sizes available on request

What appealed to me about Liquid was that it didn’t feel like a typical wave photograph. There was something much more artistic and mysterious about the way the light was catching the water, with parts of the wave emerging from the darkness while other areas almost disappeared into it.

I was less interested in showing the wave simply as a powerful piece of ocean and more interested in the shapes, tones and movement within it. Converting the image to black and white helped take it even further away from a straightforward seascape and made the photograph feel more abstract.

I particularly like that you don’t take everything in immediately. The longer you look at it, the more detail begins to appear in the spray and the surface of the water. For me, that sense of mystery is what makes Liquid different from many of my other wave photographs.

BUY WITH CONFIDENCE

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• Purchased directly from Andrew Lever
• Signed & numbered Certificate of Authenticity included
• Produced to order by a specialist fine-art print lab
• Printed edge-to-edge with no white border

LIMITED EDITIONS

• 29 × 44 Inch — Edition of 30
• 40 × 60 Inch — Edition of 20
• 50 × 75 Inch — Edition of 15

• Giclée print on Hahnemühle Photo Rag paper
• Print supplied unframed
• Custom sizes available on request

I photographed Turquoise Rumble at Nazaré in Portugal, a place I return to because of the extraordinary power of the Atlantic there. On this occasion it was the colour of the water that first caught my attention — that intense turquoise appearing just as the wave began to fold over and break.

I wanted to capture the moment when the wave still had its shape but was beginning to release all of its energy. There is only a very short window before that structure disappears completely into white water, so timing was everything.

What I particularly like about this photograph is the combination of colour and power. The turquoise gives the image an almost beautiful calmness at first glance, but the closer you look, the movement and force of the water tell a very different story.

BUY WITH CONFIDENCE

• Free worldwide shipping
• Purchased directly from Andrew Lever
• Signed & numbered Certificate of Authenticity included
• Produced to order by a specialist fine-art print lab
• Printed edge-to-edge with no white border

LIMITED EDITIONS

• 30 × 40 Inch — Edition of 30
• 40 × 50 Inch — Edition of 20
• 50 × 60 Inch — Edition of 15

• 30 × 40 and 40 × 50 inches: Hahnemühle Photo Rag Baryta fine art paper
• 50 × 60 inches: Fuji C-type Matt photographic paper
• Print supplied unframed
• Custom sizes available on request

I photographed Solus in Fuerteventura, and what immediately appealed to me was the contrast between the graceful movement of the solitary bird and the sheer power of the wave breaking beneath it.

The sea was full of energy, with the wave collapsing into white water, while the bird seemed almost effortless as it glided above everything happening below. That contrast between grace and force is what made the scene work for me.

For me, the photograph is really about those two very different elements sharing the same moment. The violence of the breaking ocean and the calm, elegant flight of a single bird above it.

BUY WITH CONFIDENCE

• Free worldwide shipping
• Purchased directly from Andrew Lever
• Signed & numbered Certificate of Authenticity included
• Produced to order by a specialist fine-art print lab
• Printed edge-to-edge with no white border

LIMITED EDITIONS

• 20 × 40 Inch — Edition of 30
• 25 × 50 Inch — Edition of 20
• 30 × 60 Inch — Edition of 15
• 37 × 75 Inch — Edition of 15

• Giclée print on Hahnemühle Photo Rag Baryta paper
• Print supplied unframed
• Custom sizes available on request

Champagne was photographed from the cliffs above Nazaré, Portugal, while a powerful Atlantic swell was breaking below. Having grown up around the sea, I’ve always been fascinated by the moment when a wave changes from a clean shape into something much more chaotic and unpredictable. Here, it was the explosion of whitewater, the shifting texture of the surface and the soft silver-blue light that held my attention. I waited until the breaking wave reached that brief point where all of those elements came together before making the photograph.

What I particularly like about Champagne is the contrast between the force of the ocean and the delicacy of the spray. The square composition concentrates that energy into a very simple frame, giving the image a strong presence at larger sizes. Champagne is available as a limited-edition fine art wave photography print for collectors and contemporary interiors.

BUY WITH CONFIDENCE

• Free worldwide shipping
• Purchased directly from Andrew Lever
• Signed & numbered Certificate of Authenticity included
• Made to order to professional fine-art standards

EDITIONS

• 40 × 40 Inch - Edition of 30

• 50 × 50 Inch - Edition of 20

• 60 × 60 Inch - Edition of 15

· 40 × 40 inches: Hahnemühle Photo Rag Baryta fine art paper

· 50 × 50 and 60 × 60 inches: Hahnemühle Photo Rag fine art paper

· Print comes with 1 Inch white border

· Prints do not come with frame

· Contact me for Custom Sizes